As a symbol of love, wedding rings have long encircled the fingers of both men and women, though the engagement variety has generally been reserved exclusively for future brides. In Tiffany & Co.’s case, the innovation was simply reconsidering a classic category in a new light. Twists of 18-karat gold hold a diamond of more than 15 carats, one of the largest gems to be set this way.īut it doesn’t always take a reinvention of jewelry to move it forward. Striking a different chord, German jeweler Hemmerle pushed the boundaries of tension-setting: a technique that forgoes the use of prongs and instead secures stones solely within the structure of the design. The reference? The rising and falling visual display of an equalizer’s musical audio frequencies in a recording studio. Valérie Messika set a new tempo at her eponymous French house with a massive 17-carat pear-shaped diamond hovering in the center of a collar with a crisscross pattern of baguette and round-cut diamonds, while using the same contrasting motif for a pair of earrings that dangle in a cascading zigzag. Similar themes of weightlessness and of diamonds that appear to levitate took center stage at both Messika and Hemmerle. The “stone” pendant of another was molded from aerogel, a material that’s comprised of 99.8 percent air and 0.2 percent silica and was previously used by NASA to capture stardust and insulate the Mars Exploration Rover. The 163-year-old French maison delivered a high-jewelry collection that included a necklace created via a computer algorithm and sprinkled with thousands of diamonds that appear to float in the air around the neck. The boldest foray into untouched territory came courtesy of Boucheron. Proceeds from the event will support the Israel Philharmonic’s music education programs that serve 30,000 children, according to the organization.While centuries-old inspirations, serious stones and classic settings have a perennial place in the high-jewelry landscape, this past year has seen establishment houses experimenting with new techniques and bleeding-edge designs, pushing the industry in fresh directions. “The event was so important to me … I want it to be known that Israel is a democracy… and through music we can connect with countries and different places and backgounds we all unite through music and we need unity right now in this world,” Schwartz said. Tamir Grinberg, winner of the Israeli TV competition “The Next Star,” performed at the gala and the party. Schwartz then celebrated her special night with a party downtown at Casa Cipriani following the gala. “There is no one more deserving of this award from the Israel Philharmonic, an institution that brings together so many of Lorraine’s passions: music, education, Israel and cultural exchange - passions that I share with her,” Streisand said. Schwartz’s pal Barbra Streisand was also there in spirit and voice: The icon sent in an audio tribute praising Schwartz as “another Jewish girl, who made it and didn’t change her name.” Model Bar Rafaelli, who lives in Israel with her family, hosted the event but was unable to attend in person due to COVID restrictions, we’re told. Yousef Al Otaiba, current ambassador of the United Arab Emirates to the United States, presented Schwartz with the award via video. “Music is the universal language, and there’s no better way to bridge the gap… I’m a strong believer in that,” she added. “Being Jewish, and being born in America and raised for a few years in Israel, is really close to my heart,” Schwartz told Page Six. The celeb jeweler and Kardashian go-to-designer for diamonds was recently honored at the American Friends Israel Philharmonic Orchestra’s New York gala for her commitment to their mission to use the arts to build bridges across diverse communities in Israel. There’s more to Lorraine Schwartz than bling. Tina Knowles shows karaoke chops at party with Beyoncé
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